Imai Hisae
IMAI Hisae was born in 1931, the eldest daughter of a family running Imai Photo Studio in Higashi-Nakano, Tokyo. Her father, Yasumichi, was head of the photography department at Ginza Matsuya, and she graduated from Bunka Gakuin in 1952. In 1956, she had the first solo exhibition, Daydreams, at the Matsushima Gallery in Ginza. She employed the mechanism of photography to delicately create a free and open world that was both imaginative and literary. In an era of realist photography, she was criticized at the time for her avant-garde style, but she quickly became a popular photographer. She continued to receive high praise for poetic photographic works such as A Donkey, the King, and Myself (1959 Newcomer's Award, Japan Photographic Critics Society) and After Ophelia (1960 Japan Photo Critics Association newcomer award), and was in the midst of a busy commercial career when she was involved in a traffic accident in 1962. Although she survived, she lost her eyesight for a year and a half. After regaining her sight, she was deeply moved by the vibrantly alive figures of horses she saw in a movie and enraptured by the spiritual power of horses.
WORKS
Outline
1931 | Born in Tokyo, Japan |
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1952 | Graduated from Bunka Gakuin |
2009 | Died |
Prize
1956 | The Newcomer's Award from the Photographic Society of Japan |
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1960 | Camera Geijutsu Art Award |
1969 | Great Print Makers of Today |
1971 | Annual Award Show Silver prize |
1978 | Photographic Society of Japan Annual Award |
2010 | Japan Racing Association Award for Distinguished Service 2009 JRA Equine Culture Award |
Solo Exhibitions
2022 | Ophelia. The Third Gallery Aya, Osaka, Japan |
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1977 | Le monde enchanteur des chevaux. Brussels, Belgium; traveled to Paris, France |
1975 | Lone. Takashimaya Osaka, Osaka, Japan |
1971 | Travel to the Horses. Shinjuku Nikon Salon, Tokyo, Japan |
1963 | Lone, Rose Party. Fuji Photo Salon, Tokyo, Japan |
1961 | Model and North Wind. Gekko Gallery, Tokyo, Japan |
1960 | Ophelia. Konishiroku Photo Gallery, Tokyo, Japan |
1959 | A Donkey, the King and Myself. Gekko Gallery, Tokyo, Japan Summer Memories. Fuji Photo Salon, Tokyo, Japan |
1957 | Scenery of Mental Image. Fuji Photo Salon, Tokyo, Japan |
1956 | Daydreams. Matsushima Gallery, Tokyo, Japan |
Selected Group Exhibition
2022 | Paris Photo 2022 Online Viewing Room. Photographer Imai Hisae x Beautiful Ink World. YOHAKU, Tokyo, Japan |
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2021 | Paris Photo 2021. Grand Palais Ephémère, Paris, France |
1962 | NON curated by FUKUSHIMA Tatsuo. Matsushima Gallery, Tokyo, Japan |
1960 | Contemporary Photography Exhibition 1960. The National Museum of Modern Art, Tokyo, Tokyo, Japan |
1958 | The First Exhibition of the Japan Women Photographers' Society. Konishiroku Photo Gallery, Tokyo, Japan |
Publications
2022 | Hisae Imai. Kyoto: AKAAKA Art Publishing |
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1999 | Champion/Taiki Shuttle.Tokyo: Kadokawa Shoten Publishing |
1995 | TAKE Yutaka’s 1000 won. Tokyo: Kadokawa Shoten Publishing |
1994 | okai Teio. Tokyo: Kadokawa Shoten Publishing |
1987 | Applause to Thoroughbred. Tokyo: Genkosha |
1985 | Symboli Rudolf. Tokyo: Kadokawa Shoten Publishing |
1980 | The Thoroughbred. Tokyo: Azuma Publishing |
1977 | Hippolatry: le monde enchanteur des chevaux. Kyoto: Shinshindo Publishing |
Public collection
Nihon University, Tokyo, Japan The Museum of Modern Art, New York, New York, NY George Eastman House Collection, Rochester, NY Bibliothèque nationale de France, Paris, France Museum für Kunst und Gewerbe Hamburg, Hamburg, Germany Kawasaki City Museum, Kawasaki, Japan Tokyo Photographic Art Museum, Tokyo, Japan Kiyosato Museum of Photographic Arts, Hokuto, Japan |